Roger Serret i Ricou IN RESiDENCE at the School Teresa Pàmies

first definition of intentions (half page)

I have made a list of how

themes of how I experience architecture, art and graffiti to be able to touch on them without citing architecture, art and graffiti and in the end I have betrayed myself citing first of all architecture, art and graffiti when in reality I only live from

 

Of collective re-appropriation some day not just playful

Of blurring the limit between balanced and uncontrolled intensity

Saturade liquid energy more Monster than Gatorade

Water to gas

Erratic intuition as a starting point

On top of that we have information

Abstraction as self-defence in over information

Especially the redistribution of spatial wealth

At home on the street

On the streets at home

stop authorship

“no cara no casa”

(no face no case)

Irrational premeditated praxis

inappropriate reappropriation and as a starting point

Hedonistic reparation

Public money without passing through the academy

It does not have its pseudonym

Conflict and playful use of the pseudo-public space

boring ourselves with the lonely self-taught despot

Waste paint on your façade

From coexistence I only learn from it

Unstable Emotional Structure

also enjoy cry alone

Redistribution of sex blurred with affection

Work less, clean more is to read often

Stealing dirty art is very white

How to leave now to share a vessel

Neither analogical nor digital, anal saying

Like a boring Demo of Foul Play of clean art

Connect premises to broaden portals

Share Error

How to suffer little to live top

guano is fresh bird poop the most fertile for asphalt and for skin

Trying to learn to accomplish how I want to be and be there

I could cook for whomever steals food

Plan for whomever risks squatting

Keep an eye out so you can paint

or masturbate on the work

alien or alienated

while I charge in agreement